Despite the estate's long-term intention to render but one bottling from the diminutive Bruderberg, the first crop of tiny berries from young vines of selection massale, Middle Mosel origin occasioned a 2009 Maximin Grunhauser Bruderberg Riesling Auslese. "All at once, thanks to having superior vine material" notes von Schubert, "the favorable microclimate of this (south-turning) portion of Bruderberg appears to have been revealed." Old maps, he adds, reveal that before the 20th century only this portion of today's Bruderberg was planted. The term "Jungfernwein" – "virginal i.e. first crop of wine" – appears on the neck label. Scents and succulent juiciness of pear, lime and kiwi inform a strikingly creamy and almost weightless Riesling of utmost purity. What's lacking here – as has over many years been my experience with this site, regardless of vintage or wine style – is genuine complexity. Still, this is downright irresistible and ought to remain so for at least 15-20 years. And I would be delighted to witness my generalization about the Bruderberg be exploded by future wines from this replanted parcel. Proprietor Carl von Schubert and cellarmaster and vineyard manager Stefan Kraml continue to make strides in bringing this great estate back to its long-standing exemplary form, albeit incorporating some stylistic innovations (for more about which consult in particular my reports in issues 183 and 187). "We picked from between the 18th of October and the 6th of November," reports von Schubert, "and although there was intermittent rain, the weather only really turned worse after we had finished." He points out that photographs from earlier eras at Grunhaus routinely show vines entirely denuded of foliage by the time they were harvested, just the way they looked this year, and while the early October frost aggravated him at the time, he did not think in retrospect that it had any negative repercussions. One probable effect of those barren branches was relative paucity of botrytis, and von Schubert opined that only at the level of his fuder-numbered Auslesen – and then only by dint of extreme selectivity of bunches and partial bunches – did noble rot become a significant factor. A third fuder-numbered Auslese – other than the two canvassed in the present report – represents, in Carl von Schubert's words, "the attempt to vinify a distinctly botrytized and rigorously selected Auslese in barrique" and will only be bottled and presented for tasting next year. It's degree of sweetness? "Only a bit more than the 'Superior,'" he says! There is also a Beerenauslese and a Trockenbeerenauslese which had not been bottled and which von Schubert was similarly not eager to show yet when I visited in September. Other than for nobly sweet wines, fermentations here are normally finished by the end of December and this year, says von Schubert, was no exception; even while relying entirely on ambient yeasts he had more than enough casks go to legal dryness to satisfy his needs, some even ending up as few as two grams residual sugar and as high as 13.5% in alcohol (although these were blended-out with other, lighter lots). In each instance where I was made aware of multiple bottlings which required reference to an A.P. # in order to disambiguate, note that I tasted only one of those bottlings. Incidentally, a new fuder-vinified 2009 "Schloss Grunhaus" Pinot Blanc struck me as too-dominated by wood, and its 13% alcohol precluded much sense of levity or refreshment. Importer: P. J. Valckenberg International, Tulsa, OK; tel. (918) 622-0424